"Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love. Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae. But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism meets today's hip-hop. Bad Fat Black Girl offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience. Bad bitches: this one's for you"-- Provided by publisher.

"Humans are a varied and divergent bunch with all manner of beliefs, morals, and bodies. Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies. The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world--for us all. This second edition includes stories from Taylor's travels around the world combating body terrorism and shines a light on the path toward liberation guided by love. In a brand new final chapter, she offers specific tools, actions, and resources for confronting racism, sexism, ableism, homophobia, and transphobia. And she provides a case study showing how radical self-love not only dismantles shame and self-loathing in us but has the power to dismantle entire systems of injustice. Together with the accompanying workbook, Your Body Is Not an Apology, Taylor brings the practice of radical self-love to life." -- Provided by publisher.

"Kitchen Table Series' is the first publication dedicated solely to this early and important body of work by the American artist Carrie Mae Weems. The 20 photographs and 14 text panels that make up the artwork tell a story of one woman's life, as conducted in the intimate setting of her kitchen. -- Publisher's website. *Staff says: "Winner of the National Book Award for Poetry!"*

"Yetu holds the memories for her people -- water-dwelling descendants of pregnant African slave women thrown overboard by slave owners -- who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one -- the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities -- and discovers a world her people left behind long ago. Yetu will learn more than she ever expected to about her own past -- and about the future of her people. If they are all to survive, they'll need to reclaim the memories, reclaim their identity -- and own who they really are." -- Provided by publisher.

"Dr. Chanda Prescod-Weinstein is one of the leading physicists of her generation, at work on the origins of spacetime at the intersection of particle physics and astrophysics. She is also one of the fewer than one hundred Black women to earn a PhD in physics. In The Disordered Cosmos, Prescod-Weinstein shares with readers her love for physics, from the Standard Model of Particle Physics and what lies beyond it, to the physics of melanin in skin, to the latest theories of dark matter - all with a new spin and rhythm informed by pop culture, hip hop, politics, and Star Trek. Prescod-Weinstein's vision of the cosmos is vibrant, inclusive and buoyantly non-traditional. As she makes clear, what we know about the universe won't be complete until we learn to think beyond the limitations of white-dominated science. Science, like most fields, is set up for men to succeed, and is rife with racism, sexism, and shortsightedness as a result. But as Prescod-Weinstein makes brilliantly clear, we all have a right to know the night sky. By welcoming the insights of those who have been left out for too long, we expand our understanding of the universe and our place in it. The Disordered Cosmos is a vision for a world without prejudice that allows everyone to view the wonders of the universe through the same starry eyes"-- Provided by publisher.

"Opal is a fiercely independent young woman pushing against the grain in her style and attitude, Afro-punk before that term existed. Coming of age in Detroit, she can't imagine settling for a 9-to-5 job--despite her unusual looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her at a bar's amateur night, she takes him up on his offer to make rock music together for the fledgling Rivington Records. In early seventies New York City, just as she's finding her niche as part of a flamboyant and funky creative scene, a rival band signed to her label brandishes a Confederate flag at a promotional concert. Opal's bold protest and the violence that ensues set off a chain of events that will not only change the lives of those she loves, but also be a deadly reminder that repercussions are always harsher for women, especially black women, who dare to speak their truth. Decades later, as Opal considers a 2016 reunion with Nev, music journalist S. Sunny Shelton seizes the chance to curate an oral history about her idols. Sunny thought she knew most of the stories leading up to the cult duo's most politicized chapter. But as her interviews dig deeper, a nasty new allegation from an unexpected source threatens to blow up everything."-- Provided by publisher.

"Scene: Apple Valley, California, in the late eighties, a thirsty, miserable desert. Teenage James Spooner hates that he and his mom are back in town after years away. The one silver lining--new school, new you, right? But the few Black kids at school seem to be gangbanging, and the other kids fall on a spectrum of micro-aggressors to future Neo-Nazis. Mixed race, acutely aware of his Blackness, James doesn't know where he fits until he meets Ty, a young Black punk who introduces him to the school outsiders--skaters, unhappy young rebels, caught up in the punk groundswell sweeping the country. A haircut, a few Sex Pistols, Misfits and Black Flag records later: suddenly, James has friends, romantic prospects, and knows the difference between a bass and a guitar. But this desolate landscape hides brutal, building undercurrents: a classmate overdoses, a friend must prove himself to his white supremacist brother and the local Aryan brotherhood through a show of violence. Everything and everyone are set to collide at one of the year's biggest shows in town...Weaving in the Black roots of punk rock and a vivid interlude in the thriving eighties DIY scene in New York's East Village, this is the memoir of a budding punk, artist, and activist."--Book jacket flap.

"Homie is Danez Smith's magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith's close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family--blood and chosen--arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez's friends and for you and for yours."-- Provided by publisher.

"A Washington Post culture writer chronicles the challenges she faces as a Black mother in a mostly white mommy group in a time of gentrification, racial reckoning, and a global pandemic. Helena Andrews-Dyer lives in the Bloomingdale neighborhood of Washington, D.C., a picturesque collection of rowhouses near the center of the city that has become increasingly gentrified in the last decade. After having her first child a few years ago, she joined the local motherhood support group-"the Mamas"-and was surprised to find she was one of the only Black mothers. The racial, cultural, and socio-economic differences were made clear almost immediately. Then George Floyd happened. A man was murdered. A man who called out for his mama. And suddenly, the Mamas felt even more different. Though they were alike in some ways-they want their kids to be safe, they think their husbands are lazy, they work too much and they feel guilty about it-Helena realized she had an entirely different set of problems her neighborhood mom friends could never truly understand. In The Mamas, Helena chronicles the particular challenges she faces in a group where a reading list is the first step to solving systemic racism and where she, a Black, professional, Ivy League-educated mom, is overcompensating with every move. And Helena grapples with her own inner tensions like, "Why do I never leave the house with the baby and without my wedding ring?" and "Why did every name we considered for our kids have to pass the résumé test?" Throw in a pandemic and a nationwide movement for social justice and follow Helena as she ultimately tries to answer: "Can white moms and Black moms ever truly be friends, not just mom friends, like really real friends?" With sharp wit and refreshing honesty, The Mamas explores the contradictions and community of motherhood-white and Black and everything-against the backdrop of the rapidly changing world"-- Provided by publisher.

"In 2025 California, an eighteen-year-old African American woman, suffering from a hereditary trait that causes her to feel others' pain as well as her own, flees northward from her small community and its desperate scavengers."

"...a generous treasury in seven sections that spans decades and includes previously unpublished and brand new work. With depth and breadth, PUNKS weaves together historic narratives of loss, lust, and love. The many voices that emerge in these poems--from historic Black personalities, both familial and famous, to the poet's friends and lovers in gay bars and bedrooms--form a cast of characters capable of addressing desire, oppression, AIDS, and grief through sorrowful songs that "we sing as hard as we live."--

Reading Scripture from the perspective of Black church tradition can help us connect with a rich faith history and address the urgent issues of our times. Demonstrating an ongoing conversation between the collective Black experience and the Bible, New Testament scholar Esau McCaulley shares a personal and scholarly testament to the power and hope of Black biblical interpretation. -- Publisher's description.

"Set in a Harlem high rise, a stunning debut about a tight-knit cast of characters grappling with their own personal challenges while the forces of gentrification threaten to upend life as they know it. Like Gloria Naylor’s The Women of Brewster Place and Lin Manuel Miranda’s In the Heights, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience. Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. There is Swan in apartment 6B, whose excitement about his friend’s release from prison jeopardizes the life he’s been trying to lead. Mimi, in apartment 14D, who hustles to raise the child she had with Swan, waitressing at Roscoe’s and doing hair on the side. And Quanneisha B. Miles, a former gymnast with a good education who wishes she could leave Banneker for good, but can’t seem to escape the building’s gravitational pull. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love. Stories from the Tenants Downstairs brilliantly captures the joy and pain of the human experience and heralds the arrival of a uniquely talented writer."--Publisher.

"An historical and imaginative tour-de-force, WAKE brings to light for the first time the existence of enslaved black women warriors, whose stories can be traced by carefully scrutinizing historical records; and where the historical record goes silent, WAKE reconstructs the likely past of two female rebels, Adono and Alele, on the slave ship The Unity. WAKE is a graphic novel that offers invaluable insight into the struggle to survive whole as a black woman in today's America; it is a historiography that illuminates both the challenges and the necessity of uncovering the true stories of slavery; and it is an overdue reckoning with slavery in New York City where two of these armed revolts took place. It is, also, a transformative and transporting work of imaginative fiction, bringing to three-dimensional life Adono and Alele and their pasts as women warriors. In so doing, WAKE illustrates the humanity of the enslaved, the reality of their lived experiences, and the complexity of the history that has been, till now, so thoroughly erased"-- Provided by publisher.

For Malik, the Solstasia festival is a chance to escape his war-stricken home and start a new life with his sisters in the prosperous desert city of Ziran. But when a vengeful spirit abducts his younger sister, Nadia, as payment to enter the city, Malik strikes a fatal deal--kill Karina, Crown Princess of Ziran, for Nadia's freedom. But Karina has deadly aspirations of her own. Her mother, the Sultana, has been assassinated; her court threatens mutiny; and Solstasia looms like a knife over her neck. Grief-stricken, Karina decides to resurrect her mother through ancient magic ... requiring the beating heart of a king. And she knows just how to obtain one: by offering her hand in marriage to the victor of the Solstasia competition. When Malik rigs his way into the contest, they are set on a heart-pounding course to destroy each other. But as attraction flares between them and ancient evils stir, will they be able to see their tasks to the death?

Two fifteen-year-old girls--one a slave and the other an indentured servant--escape their Carolina plantation and try to make their way to Fort Moses, Florida, a Spanish colony that gives sanctuary to slaves.

When DJ ParSec (Paris Secord), rising star of the local music scene, is found dead over her turntables, the two girls who found her, Kya (her pre-fame best friend) and Fuse (her current chief groupie) are torn between grief for Paris and hatred for each other--but when the lack of obvious suspects stalls the investigation, and the police seem to lose interest, despite pressure from social media and ParSec's loyal fans, the two girls unite, determined to find out who murdered their friend.

Believing her new home to actually be alive, especially when her brother almost dies, Marigold and her new blended family won't be safe until she brings the truth to light once and for all. - (Baker & Taylor) *Staff says: It's a great haunted house story. Reminds me of the film A Haunting in Connecticut, but a little less scary. It's a page turner!"*

Frederick Joseph call up race-related anecdotes from his past, explaining why they were hurtful and how he might handle things now. Each chapter features the voice of at least one artist or activist, including Angie Thomas, author of The Hate U Give; April Reign, creator of #OscarsSoWhite; Jemele Hill, sports journalist and podcast host; and eleven others. Touching on everything from cultural appropriation to power dynamics, "reverse racism" to white privilege, microaggressions to the tragic results of overt racism, this book serves as conversation starter, tool kit, and invaluable window into the life of a former "token Black kid" who now presents himself as the friend many readers need. -- adapted from inside front jacket flap.

"Nubia has always been a little bit...different. As a baby she showcased Amazonian-like strength by pushing over a tree to rescue her neighbor's cat. But despite her having similar abilities, the world has no problem telling her that she's no Wonder Woman. And even if she were, they wouldn't want her. Every time she comes to the rescue, she's reminded of how people see her: as a threat. Her moms do their best to keep her safe, but Nubia can't deny the fire within her, even if she's a little awkward about it sometimes. Even if it means people assume the worst. When Nubia's best friend, Quisha, is threatened by a boy who thinks he owns the town, Nubia will risk it all--her safety, her home, and her crush on that cute kid in English class--to become the hero society tells her she isn't."--Amazon.

"North Carolina, 1863. As the American Civil War rages on, the Freedpeople's Colony of Roanoke Island is blossoming, a haven for the recently emancipated. Black people have begun building a community of their own, a refuge from the shadow of the "old life." It is where the March family has finally been able to safely put down roots with four young daughters: Meg, a teacher who longs to find love and start a family of her own; Jo, a writer whose words are too powerful to be contained; Beth, a talented seamstress searching for a higher purpose; Amy, a dancer eager to explore life outside her family's home. As the four March sisters come into their own as independent young women, they will face first love, health struggles, heartbreak, and new horizons. But they will face it all together."--Publisher.

"17-year-old Morgan is a black teen triumphantly figuring out her identity when her conservative town deems depression as a lack of faith, and blackness as something to be politely ignored"-- Provided by publisher.

"With junior year starting in the fall, Harrison feels like he’s on the precipice of, well, everything. Standardized testing, college, and the terrifying unknowns and looming pressures of adulthood after that--it’s like the future wants to eat him alive. Which is why Harrison is grateful that he and his best friend, Linus, will face these things together. But at the end of a shift at their summer job, Linus invites Harrison to their special spot overlooking the city to deliver devastating news: He’s moving out of state at the end of the week. To keep from completely losing it--and partially inspired by a cheesy movie-night pick by his dad--Harrison plans a send-off à la Ferris Bueller’s Day Off that’s worthy of his favorite person. If they won’t be having all the life-expanding experiences they thought they would, Harrison will squeeze them all into their last day together. They end up on a mini road trip, their first Pride, and a rooftop dance party, all while keeping their respective parents, who track them on a family location app, off their trail. Harrison and Linus make a pact to do all the things--big and small--they’ve been too scared to do. But nothing feels scarier than saying goodbye to someone you love."--Publisher.