In Aurora, Illinois, Aubrey Wheeler is just trying to get by after her semi-criminal ex-husband split, leaving behind his unruly teenage son. Then the lights go out, not just in Aurora but across the globe. A solar storm has knocked out power almost everywhere. Suddenly, all problems are local, very local, and Aubrey must assume the mantle of fierce protector of her suburban neighborhood. Across the country lives Aubrey's estranged brother, Thom. A fantastically wealthy, neurotically over-prepared Silicon Valley CEO, he plans to ride out the crisis in a gilded desert bunker he built for maximum comfort and security. But the complicated history between the siblings is far from over, and what feels like the end of the world is just the beginning of several long-overdue reckonings, which not everyone will survive.

As a girl, Joanna Chase thrived on Rustling Willows Ranch in Montana until tragedy upended her life. Now thirty-four and living in Santa Fe with only misty memories of the past, she begins to receive pleas--by phone, through her TV, in her dreams: I am in a dark place, Jojo. Please come and help me. Heeding the disturbing appeals, Joanna is compelled to return to Montana, and to a strange childhood companion she had long forgotten. She isn't the only one drawn to the Montana farmstead. People from all walks of life have converged at the remote ranch. They are haunted, on the run, obsessed, and seeking answers to the same omniscient danger Joanna came to confront. All the while, on the outskirts of Rustling Willows, a madman lurks with a vision to save the future. Mass murder is the only way to see his frightening manifesto come to pass. Through a bizarre twist of seemingly coincidental circumstances, a band of strangers now find themselves under Montana's big dark sky. Their lives entwined, they face an encroaching horror. Unless they can defeat this threat, it will spell the end for humanity.

Finney Shaw is a shy but clever 13-year-old boy who's being held in a soundproof basement by a sadistic, masked killer. When a disconnected phone on the wall starts to ring, he soon discovers that he can hear the voices of the murderer's previous victims, and they are dead set on making sure that what happened to them doesn't happen to Finney.

For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush Charlize's cousin goes missing, Raquel starts to pay attention--especially when her own mom comes down with a mysterious illness that seems linked to the disappearances. Raquel and Charlize team up to investigate, but they soon discover that everything is tied to a terrifying urban legend called the Echo Game. The game is rumored to trap people in a sinister world underneath the city, and the rules are based on a particularly dark chapter in New York's past. And if the friends want to save their home and everyone they love, they will have to play the game and destroy the evil at its heart--or die trying.

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a wealthy white family, is something Farrah likes to call WGS--White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can't seem to afford--and it creates a dissonance in her best friend that Farrah can exploit. When her own family is unexpectedly confronted with foreclosure, the calculating Farrah is determined to reassert the control she's convinced she's always had over her life by staying with Cherish, the only person she loves--even when she hates her. A troubled Farrah manipulates her way further into the Whitman family but the longer she stays, the more her own parents suggest that something is wrong in the Whitman house. She might trust them--if they didn't think something was wrong with Farrah, too. As strange things start happening at the Whitman household--debilitating illnesses, upsetting fever dreams, an inexplicable tension with Cherish's hothead boyfriend, and a strange journal that seems to keep track of what is happening to Farrah--it's nothing she can't handle. But soon everything begins to unravel when the Whitmans invite Farrah closer, and it's anyone's guess who is really in control. Told in Farrah's chilling, unforgettable voice and weaving in searing commentary on race and class, this slow-burn social horror will keep you on the edge of your seat until the last page.

Gage Chandler is descended from kings. That's what his mother always told him when he was a child. Years later, he is a true crime writer, with one grisly success--and a movie adaptation--to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell--his closest childhood friend lived there, once upon a time. He begins his research into the murders with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is.

From the bestselling author of Mexican Gothic and Velvet Was the Night comes a dreamy reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico. Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor's labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities. All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau's patron, who will unwittingly begin a dangerous chain reaction. For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite. The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.

From the acclaimed and award-winning author of The Hunger and The Deep comes a new psychological and supernatural twist on the horrors of the Japanese American internment camps in World War II. 1944: As World War II rages on, the threat has come to the home front. In a remote corner of Idaho, Meiko Briggs and her daughter, Aiko, are desperate to return home. Following Meiko's husband's enlistment as an air force pilot in the Pacific months prior, Meiko and Aiko were taken from their home in Seattle and sent to one of the internment camps in the Midwest. It didn't matter that Aiko was American-born: They were Japanese, and therefore considered a threat by the American government. Mother and daughter attempt to hold on to elements of their old life in the camp when a mysterious disease begins to spread among those interned. What starts as a minor cold quickly becomes spontaneous fits of violence and aggression, even death. And when a disconcerting team of doctors arrive, nearly more threatening than the illness itself, Meiko and her daughter team up with a newspaper reporter and widowed missionary to investigate, and it becomes clear to them that something more sinister is afoot, a demon from the stories of Meiko's childhood, hell-bent on infiltrating their already strange world. Inspired by the Japanese yokai and the jorogumo spider demon, The Fervor explores the horrors of the supernatural beyond just the threat of the occult. With a keen and prescient eye, Katsu crafts a terrifying story about the danger of demonization, a mysterious contagion, and the search to stop its spread before it's too late. A sharp account of too-recent history, it's a deep excavation of how we decide who gets to be human when being human matters most.

One of the most popular writers working in Japan today, Mariko Koike is a recognized master of detective fiction and horror writing. Known in particular for her hybrid works that blend these styles with elements of romance, The Graveyard Apartment is arguably Koike's masterpiece. Originally published in Japan in 1986, Koike's novel is the suspenseful tale of a young family that believes it has found the perfect home to grow into, only to realize that the apartment's idyllic setting harbors the specter of evil and that longer they stay, the more trapped they become. This tale of a young married couple who harbor a dark secret is packed with dread and terror, as they and their daughter move into a brand new apartment building built next to a graveyard. As strange and terrifying occurrences begin to pile up, people in the building start to move out one by one, until the young family is left alone with someone ... or something ... lurking in the basement. The psychological horror builds moment after moment, scene after scene, culminating with a conclusion that will make you think twice before ever going into a basement again.

Flashing between past and present, a fractured family confronts haunting memories of their old home and the terrifying events that drove them from it.

Sixteen-year-old trans boy Benji is on the run from the cult that raised him--the fundamentalist sect that unleashed Armageddon and decimated the world's population. Desperately, he searches for a place where the cult can't get their hands on him, or more importantly, on the bioweapon they infected him with. But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC's leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji's darkest secret: the cult's bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all. Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick's terms... until he discovers the ALC's mysterious leader has a hidden agenda, and more than a few secrets of his own.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman's lifeless body. Then, Teddy's artwork becomes increasingly sinister, and his stick figures quickly evolve into lifelike sketches well beyond the ability of any five-year-old. Mallory begins to wonder if these are glimpses of a long-unsolved murder, perhaps relayed by a supernatural force. Knowing just how crazy it all sounds, Mallory nevertheless sets out to decipher the images and save Teddy before it's too late.

It looks like a familiar story: A woman reeling from a great loss with too much time on her hands and too much booze in her glass watches her neighbors, sees things she shouldn't see, and starts to suspect the worst. But looks can be deceiving. . . . Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to her family's lake house in Vermont. Armed with a pair of binoculars and several bottles of liquor, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. Everything about the Royces seems perfect. Their marriage. Their house. The bucolic lake it sits beside. But when Katherine suddenly vanishes, Casey becomes obsessed with finding out what happened to her. In the process, she discovers the darker truths lurking just beneath the surface of the Royces' picture-perfect marriage. Truths no suspicious voyeur could begin to imagine--even with a few drinks under her belt. Like Casey, you'll think you know where this story is headed. Think again. Because once you open the door to obsession, you never know what you might find on the other side.

A girl would be such a blessing...The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything--and everyone--at a safe distance. When Andrea suddenly reappears, Maeve regains the only true friend she's ever had. Soon she's spending more time at Andrea's remote Catskills estate than in her own cramped apartment. Maeve doesn't even mind that her cousin's wealthy work friends clearly disapprove of her single lifestyle. After all, Andrea has made her fortune in the fertility industry--baby fever comes with the territory. The more Maeve immerses herself in Andrea's world, the more disconnected she feels from her life back in the city; and the cousins' increasing attachment triggers memories Maeve has fought hard to bury. But confronting the terrors of her childhood may be the only way for Maeve to transcend the nightmare still to come...

MEET THE CURE FOR THE HUMAN DISEASE "A wonderful new entry to Gothic science fiction, impeccably clever and atmospheric. Think Wuthering Heights... with worms!" -Tamsyn Muir A surreal and horrifying debut, Leech defies our understanding of identity, heredity, and bodily autonomy. In an isolated chateau, as far north as north goes, the baron's doctor has died. The doctor's replacement has a mystery to solve: discovering how the Institute lost track of one of its many bodies. For hundreds of years the Interprovincial Medical Institute has grown by taking root in young minds and shaping them into doctors, replacing every human practitioner of medicine. The Institute is here to help humanity, to cure and to cut, to cradle and protect the species from the apocalyptic horrors their ancestors unleashed. In the frozen north, the Institute's body will discover a competitor for its rung at the top of the evolutionary ladder. A parasite is spreading through the baron's castle, already a dark pit of secrets, lies, violence, and fear. The two will make war on the battlefield of the body. Whichever wins, humanity will lose again.

Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George--publisher of The Safe Negro Travel Guide--and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite--heir to the estate that owned one of Atticus?s ancestors--they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours. At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn--led by Samuel Braithwhite and his son Caleb--which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his--and the whole Turner clan?s--destruction. A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism--the terrifying specter that continues to haunt us today.

A husband and wife's weekend in a mid-century modern vacation rental turns deadly when the husband discovers the owner is a psychopath with a backyard of buried secrets and designs on his wife.

The Munsters are America's first family of fright! There's Herman, devoted dad and 'working stiff'; Lily, the sassy homemaker; Grandpa, a former count who still loves to take a bite out of life; Marilyn, the 'black sheep' of the family; and Eddie, the little boy who loves to have a howling good time.

When transfer student Finch Chamberlin and popular senior Selena St. Clair accidentally wake something terrifying and ancient in the depths of their school, they must work together to stop the horror they unleashed before it consumes the town.

This isn't a fairytale where the princess marries a prince. It's one where she kills him. From Hugo, Nebula, and Locus award-winning author T. Kingfisher comes an original and subversive new fantasy adventure. After years of seeing her sisters suffer at the hands of an abusive prince, Marra-the shy, convent-raised, third-born daughter-has finally realized that no one is coming to their rescue. No one, except for Marra herself. Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince-if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning. On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last. "Nettle & Bone is the kind of book that immediately feels like an old friend. Fairytale mythic resonance meets homey pragmatism in this utterly delightful story. It's creepy, funny, heartfelt, and full of fantastic characters I absolutely loved!" -Melissa Caruso, author of The Tethered Mage.

An anthology of original new horror stories edited by Bram Stoker Award winners Vince Liaguno and Rena Mason that showcases authors from underrepresented backgrounds telling terrifying tales of what it means to be, or merely to seem, "other."

Christopher Golden's Road of Bones is a stunning supernatural thriller set in Siberia, where a film crew is covering an elusive ghost story about a highway built on top of the bones of prisoners of Stalin's gulag. Kolyma Highway, otherwise known as the Road of Bones, is a 1200 mile stretch of Siberian road where winter temperatures can drop as low as sixty degrees below zero. Under Stalin, at least eighty Soviet gulags were built along the route to supply the USSR with a readily available workforce, and over time hundreds of thousands of prisoners died in the midst of their labors. Their bodies were buried where they fell, plowed under the permafrost, underneath the road. Felix Teigland, or "Teig," is a documentary producer, and when he learns about the Road of Bones, he realizes he's stumbled upon untapped potential. Accompanied by his camera operator, Teig hires a local Yakut guide to take them to Oymyakon, the coldest settlement on Earth. Teig is fascinated by the culture along the Road of Bones, and encounters strange characters on the way to the Oymyakon, but when the team arrives, they find the village mysteriously abandoned apart from a mysterious nine-year-old girl. Then, chaos ensues. A malignant, animistic shaman and the forest spirits he commands pursues them as they flee the abandoned town and barrel across miles of deserted permafrost. As the chase continues along this road paved with the suffering of angry ghosts, what form will the echoes of their anguish take? Teig and the others will have to find the answers if they want to survive the Road of Bones.

Originally aired as a television mini-series, this all-star filmization of Stephen King's gripping epic of good versus evil chronicles the episodic adventures of a disparate group of people who struggle to reestablish civilization after a man-made catastrophe wipes out most of the world's population. The world abruptly ends when a deadly virus accidentally escapes from a government sponsored biological warfare laboratory. Soon people are dropping like flies from the plague.

A young woman in need of a transformation finds herself in touch with the animal inside in this gripping, incisive novel from the author of Cackle and The Return. Rory Morris isn't thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby's father, and needs support, so Rory returns to the place she thought she'd put in her rearview. After a night out at a bar where she runs into an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she's attacked. Rory survives, miraculously, but life begins to look and feel different. She's unnaturally strong, with an aversion to silver-and suddenly the moon has her in its thrall. She's changing into someone else-something else, maybe even a monster. But does that mean she's putting those close to her in danger? Or is embracing the wildness inside of her the key to acceptance? This darkly comedic love story is a brilliantly layered portrait of trauma, rage, and vulnerability.

Bound to be one of the best debuts of the year.--CrimeReads, Most Anticipated Crime Books In this haunting psychological thriller, a mother and daughter face a deadly secret lurking in the wilds of the Pacific Northwest

From T. Kingfisher, the award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside--the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London--where she is living away from her vampire mother for the first time--is much more difficult than she'd anticipated. Then there are the humans--the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for--perpetual youth, near-invulnerability, immortality--but she is miserable; she is lonely; and she is hungry--always hungry. As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her--between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans--if she is to find a way to exist in the world. Before any of this, however, she must eat.

Eli Roth explores the dark power and wicked fun of scary movies, the craft that went into making them and the ways that horror films reflect the anxieties of their times. The themes include Houses of Hell, Monsters, Body Horror, Witches, Chilling Children, and Classic Horror. Interviewees include Stephen King, Quentin Tarantino, Jordan Peele and more.

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this documentary traces the untold history of Black Americans in Hollywood through their connection to the horror genre. Adapting Robin Means Coleman's seminal book, this will present the living and the dead, using new and archival interviews from scholars and creators; the voices who survived the genre's past trends, to those shaping its future.